Jepson Center: "In Reflection: Contemporary Art and Ourselves"
Apr
25
to Apr 25

Jepson Center: "In Reflection: Contemporary Art and Ourselves"

In Reflection: Contemporary Art and Ourselves is a long-term evolving installation of Telfair Museums’ modern and contemporary collection featuring paintings, prints, drawings, photographs, sculptures, textiles, and mixed and time-based media from 1945 to the present day. In addition to the expansive historical context and aesthetics, the wide variety of artworks on view encourages us to consider the artist’s role in mirroring individual and collective experiences and identities through these objects. These reflections are broadly explored as personal, social, and cultural themes. The PERSONAL delves into the self, offering insight into the feelings and emotions invoked through the work. The SOCIAL looks critically at the world, tackling of-the-moment topics such as climate change, globalization, social activism, and politics. The CULTURAL takes a big picture view, grappling with history, religion, language, heritage, legacy, and land that are central to cultural customs and traditions.

The exhibition also features select loans of provocative artworks by cutting-edge contemporary artists in the United States and beyond. These additions remind us that art is never static but continues to personally, socially, and culturally respond to the current moment. Offering another point of view, audio clips by artists, art professionals, and community members react to select works and encourage multiple interpretations. As we navigate the exhibition and learn about the works, we can ponder our own perspectives, unveiling a deeper understanding of ourselves and our relationships with the world around us.

This exhibition is organized by Telfair Museums and curated by Erin Dunn, curator of modern and contemporary art with assistance from Kylie de Jesus, Melaver Family Curatorial Intern.

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Jepson Center: "#Art912, A Seat at the Table:" Julia Roland
Jan
9
to Dec 6

Jepson Center: "#Art912, A Seat at the Table:" Julia Roland

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A Seat at the Table is a solo exhibition of figurative paintings on canvas and a site-specific mural by artist Julia Roland (b. 2002). A recent graduate of SCAD who grew up in Savannah, Roland’s identity as a queer Black woman from the American South informs her practice, but she sees the works speaking broadly to the human need for community. The exhibition invites painted figures and the viewer to meet in quiet dialogue, sharing a space around a table in both a physical and metaphysical sense. Through expressive hairstyles, layered color, contrasting backgrounds, and shifting poses, each unique subject’s face becomes a focal point, meeting our gaze with insistence—a site of recognition and resistance. A Seat at the Table invites all voices into the room, asking us not just to look, but to witness human connection and empathize with ongoing struggles.

About the artist:
Julia Roland is a visual artist and graduate of the Savannah College of Art and Design, earning a BFA in Painting with a minor in Art History. She began making art in fifth grade and continued her development through performing arts schools in her hometown, Garrison School for the Arts and Savannah Arts Academy.

Roland’s work explores the layered complexities of African American culture and human identity. She creates portraits that reflect her lived experience and intersections of race, gender, and sexuality in shaping identity and visibility.

A Seat at the Table is part of Telfair Museums’ #art912 initiative, which is dedicated to raising the visibility and promoting the vitality of artists living and working in Savannah. This exhibition is organized by Telfair Museums and curated by Erin Dunn, curator of modern and contemporary art.

Image: Julia Roland; mural proposal for A Seat at the Table, 2025-2026; courtesy of the artist.

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Jepson Center: "Bojana Ginn: Biometric Sublime"
Jan
22
to Jul 5

Jepson Center: "Bojana Ginn: Biometric Sublime"

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Telfair Museums presents a solo exhibition by artist Bojana Ginn in conjunction with the 19th edition of the museum’s PULSE Art + Technology Festival. Ginn states that her works “operate between science and spirituality, where algorithms translate intimacy into wonder.” Her new interactive installation entitled Biometric Sublime transforms the rhythms of the human body into a living ecosystem of art. At its core is the heartbeat, translated into luminous video animations, therapeutic audio, and sculptural fiber elements that invite immersion and contemplation. A biometric sensor in the exhibition amplifies the viewer’s presence, turning each heartbeat into a visual expression. The rhythm of deepbreath is also encoded in the movements of the immersive video. Alongside the installation’s digital components, sculptural elements created from organic fibers such as sheep’s wool and jute will merge with sustainable synthetic materials, echoing themes of renewal and healing. Biometric Sublime is an aesthetic environment of well-being: intimate, futuristic, and profoundly human.

About the artist:

Dr. Bojana Ginn is an award-winning interdisciplinary artist, former medical doctor, and curator. Her abstract art advocates health as a human right, addressing the impact of digital and biotechnologies amid climate change. A recipient of the Ellsworth Kelly Award, Ginn’s work has been exhibited internationally, including the Venice Architectural Biennale and the Museum of Art and Design in New York, and she has held solo exhibitions at the Museum of Contemporary Art, GA, and Atlanta Contemporary. Collaborating with scientific institutions such as NASA, Ginn’s impactful work resonates at the intersection of art and innovative research. Her ephemeral and site-specific installations often incorporate biological material such as sheep’s wool in combination with LED lighting, and digital video projections. A champion of sustainability, she was an artist in residence at Georgia Tech, Atlanta, where she used AI to visualize experiments with fungi that consume plastic.

This exhibition is organized by Telfair Museums and curated by Harry DeLorme, Director of Education and Senior Curator.

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Jepson Center: "Off the Coast of Paradise: Artists and Ossabaw Island, 1961-Now"
Mar
13
to Sep 7

Jepson Center: "Off the Coast of Paradise: Artists and Ossabaw Island, 1961-Now"

Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now is the first major exhibition to explore the profound impact of an undeveloped, 26,000-acre barrier island off the coast of Savannah, Georgia, on artists working in the United States. The exhibition will focus on the Ossabaw Island Project (OIP) and Genesis—a pair of revolutionary multidisciplinary residency programs that ran on the island from 1961–1982—and their legacies in its examination of Ossabaw as a site for creative experimentation. Taking its name from a poem written by celebrated poet and former Genesis member Henri Cole, Off the Coast of Paradise will feature the work of internationally renowned artists, past and present, who have considered the island through myriad lenses in their work, including the historical, the environmental, the social, the cultural, and the personal. They include Harry Bertoia, Agnes Denes, Marcy Hermansader, Suzanne Jackson, Ellen Lanyon, Doris Lee, Sally Mann, Michael Mazur, Ross McElwee, Athena Tacha, Betty Tompkins, and Anne Truitt, among many others, as well as a major new commission by Allison Janae Hamilton.

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Telfair Academy: "Roots in the Rushes: African American Basketry of the Lowcountry"
Apr
24
to Apr 4

Telfair Academy: "Roots in the Rushes: African American Basketry of the Lowcountry"

For centuries, artisans in the Lowcountry have practiced one of the longest-celebrated African American art forms: coiled basketry. A technology brought to the region by those largely enslaved of West African descent, these baskets were central for rice production on plantations. Using local plant materials like bulrush and later sweetgrass, their utilitarian purpose raised to a level of artistry characterized by inventive forms and sophisticated designs. This transmission of skill and knowledge continued post-emancipation with the rise in basket production for sale among their descendants in the region’s coastal communities known as the Gullah Geechee. The flourishing Savannah market, as well as roadside stands along coastal South Carolina and Georgia, became popular sources for this artistic exchange.

Roots in the Rushes: African American Basketry of the Lowcountry explores the intricate history of this basketmaking tradition in the region. These handsewn forms were largely found in Savannah and the greater coastal Georgia and South Carolina region and highlight the historical and cultural contributions of one of the Lowcountry’s oldest handicrafts of African origin.

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Ships of the Sea Museum: "Drawn to the Sea: Maritime Stories from Savannah"
May
1
to Jan 31

Ships of the Sea Museum: "Drawn to the Sea: Maritime Stories from Savannah"

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Drawn to the Sea: Maritime Stories from Savannah invites visitors to experience the city’s maritime past through the bold, immersive language of sequential art. Four contemporary artists reinterpret the voyages of the Anne, the S.S. Savannah, the Pulaski, and the Wanderer—transforming historic events into powerful visual narratives that connect past and present.

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Laney Contemporary: "Jack Leigh & Parker Stewart: In Place"
May
1
to Aug 1

Laney Contemporary: "Jack Leigh & Parker Stewart: In Place"

A first-of-its-kind exhibition at Laney Contemporary pairs the work of two Low Country landscape photographers who captured an evolving coastline — through industry collapse, climate change, and disappearing traditions — over the course of half a century.

Separated by time but connected by place, photographers Parker Stewart and the late Jack Leigh capture landscapes and communities in the outer reaches of coastal Georgia and South Carolina. Laney Contemporary’s Jack Leigh & Parker Stewart: In Place brings their work together for the first time in Savannah, this spring and summer.

Co-curated by Stewart and gallerist Susan Laney, “In Place” is the first time Leigh’s photos have been shown alongside a living photographer working in the same tradition, and the first exhibition of Leigh’s work in nearly a decade.

Savannah-born Leigh is known for his three-decade canon of rural and coastal photography. The novelist Pat Conroy once wrote of his “uncanny yet perfectly composed and cunning” images: “He cannot raise his camera without telling me about a South I never knew was there.” Leigh’s photograph “Midnight, Bonaventure Cemetery” became synonymous with Savannah after it was featured on the cover of the bestselling novel Midnight in the Garden of Good and Evil. In dialogue with Leigh’s haunting landscapes is the work of Stewart, who also photographs the coastal region and has found himself again and again at many of the same off-the-beaten-path sites that caught Leigh’s eye a generation earlier.

Stewart, a SCAD graduate who settled in Savannah, began photographing the tidal landscapes of coastal Georgia and the Savannah River Basin in early 2020. On long, meandering scouting drives through rural Georgia and South Carolina, Stewart explored tidal waterways, shrimping docks, and primordial, fog-cloaked marshes. Later he recognized that Leigh travelled similar routes and visited the same sites, though the two never met. Leigh died of cancer 22 years ago, at age 55. Inspired by the place, and the spirit of Jack’s work, Stewart began to think of Leigh’s photobooks as “treasure maps.”

Stewart photographed an Estill, South Carolina water tower framed by silos, only to later discover that Leigh had shot the same scene 24 years prior. “I was tickled to find Jack had made the exact same photograph,” Stewart said. “Almost nothing had changed.” Other times, it was all but suggested by the scene. Returning to a McIntosh County shrimping dock that Stewart had photographed multiple times, he saw a boat he’d previously photographed was now half-submerged. “Immediately I thought of Jack’s image ‘Sunken Shrimp Boat,’ which was made on that same dock 40 years earlier, and set up my tripod to make my own.”

“In Place” examines a coast in constant flux. Industries that once supported the economy buckle under the pressures of climate and market change. Georgia's shrimping fleet has diminished by 96 percent, from roughly 1,500 boats in Leigh’s era to fewer than 60 today. Similar trends have befallen the oystering communities Leigh photographed, and Gullah/Geechee families along the coast face compounding threats — among them, development and property loss. "He saw the condos being built, the rapid development of his home and the coast, and he acted with intention to preserve these places by documenting them, and doing it beautifully,” Stewart said of his predecessor’s work. “Leigh's ability to find the quiet in the chaos is unsurpassed."

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Jepson Center: "Impressionism and Modernity: French and American Painting"
May
15
to Aug 16

Jepson Center: "Impressionism and Modernity: French and American Painting"

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In celebration of Telfair Museums’ 140th anniversary, Impressionism and Modernity: French and American Painting brings together Telfair’s prominent collection of Impressionist art with key counterparts from the National Gallery of Art, Washington, D.C, including paintings by Edgar Degas (1834–1917), Alfred Sisley (1839–99) Vincent van Gogh (1853–90), among others. Through a series of works that attest to themes of modern life, leisure, and spectacle, the modern city, and nostalgia for the natural landscape in a rapidly changing world, this exhibition aims to show how Impressionism originated and developed with the introduction of modern art to the United States and to American institutions.

When the Impressionists first exhibited together in Paris in 1874, their work was a shock to critics and the public alike. Characterized by loose, expressive brushwork which captured the fleeting effects of light and color, and devoted to the representation of modern, everyday life, Impressionism was a radical departure from the art that came before. Highly detailed, traditional scenes of history and mythology had long been favored at the Salon, the official annual art show sponsored by the French government, forcing the Impressionists to form their own independent series of exhibitions. By the 1880s, interest in the movement began to spread across the Atlantic, as opportunities to view Impressionist pictures in the United States became increasingly available. In a landmark exhibition held in New York in 1886, organized by the Parisian art dealer, Paul Durand-Ruel (1831–1922), over three hundred Impressionist paintings, pastels, and watercolors attracted significant interest among American collectors as well as artists, who flocked to the French capital to study modern art.

By the turn of the 20th century, Impressionism had taken hold in the United States, where American artists adapted the style to local subjects. With their depiction of evolving American cities, landscapes, and society, the American Impressionists and artists that followed helped to reshape and picture national identity as industrialization and modernity transformed the face of the country. Opening in 1886 as the first public art museum in the South, the Telfair Academy of Arts and Sciences (now Telfair Museums) also became one of the earliest institutions to begin acquiring modern art. With the help of Gari Melchers (1860–1932), an internationally renowned artist and the museum’s art advisor from 1906 through the 1920s, Telfair amassed one of the most distinguished collections of American Impressionist painting of its time.

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SCAD Museum of Art: "Othiana Roffiel: The Sky I Keep"
May
20
to Sep 2

SCAD Museum of Art: "Othiana Roffiel: The Sky I Keep"

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Mexico City–based artist Othiana Roffiel (SCAD B.F.A., painting, 2012) presents luminous paintings exploring the interconnectedness of the human body and the cosmos. Rather than relying on direct references, Roffiel allows her mind–body connection to guide the work. Forms emerge from subconscious memory and imagination, creating a visual language that is both playful and profound. The works’ surfaces vary like terrain on a map: brushstrokes glint with oil, as choppy as sea currents, while other areas are raw and chalky, with the pigment’s grit leveled like topsoil. These horizonless compositions evoke epic and intimate views. Floating forms, reminiscent of moons or limbs, are surrounded by stippling marks recalling sand, raindrops, or stars, while soft gradients suggest transitions, whether cellular or planetary in scale.

Roffiel’s paintings bear witness to the spectacle of nature, capturing both its vastness and the intimate impression it leaves on the individual. By embracing the abstract and symbolic, Roffiel channels ambiguity as a generative force, inviting viewers to freely associate. Her paintings bridge landscape and self, transforming the act of looking into a meditation on moments we hold close and images that linger in our minds.

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Jepson Center: "Boxed In/Break Out: Welcome to the Dollhouse"
Jun
5
to May 9

Jepson Center: "Boxed In/Break Out: Welcome to the Dollhouse"

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The eleventh annual Boxed In/Break Out features five large-scale wooden dollhouses filled with wallpaper patterns by Joanna Paige Silver (b. 1988). Inspired by her own memories, experiences, and photo diaries, Silver creates nostalgic domestic scenes often in states of disrepair. Imbued with vibrant patterns and paired with floral imagery, Silver’s works evoke the oscillating feelings of disappointment and unwavering hope. In this installation, the bright backgrounds pay homage to the character of the homes found in Savannah but also reflect the disappointment of the housing crisis which has made it difficult for many Americans to reach the milestone of owning a home as an adult.

Guest judge Michael Dickens, Director and Chief Curator of the Halsey Institute of Contemporary Art, selected Silver’s proposal, writing, “Welcome to the Dollhouse engages the growing affordable housing crisis through the specific lens of Savannah, a city celebrated for its picturesque architecture and stately homes. Like many cities across the United States, Savannah’s beauty exists alongside the reality that homeownership is increasingly out of reach for many residents. This exhibition sits in that uncomfortable space between what we admire and what we struggle with. Joanna Silver draws on the visual language of Savannah’s built environment through wood and painted assemblages in which pattern plays a central role. Referencing details like floor tile and wallpaper, Silver incorporates familiar motifs printed on peel-and-stick surfaces, materials that echo both impermanence and accessibility. These recognizable patterns invite viewers into a space of personal memory and nostalgia, prompting reflection on what “home” means, who it is for, and how fragile that idea can be.”

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Cleo the Project Space: "Earth Windows"
Jun
19
to Jul 25

Cleo the Project Space: "Earth Windows"

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Cleo the Project Space is pleased to present Earth Windows, a two person show featuring the work of Noah Reyes and Yanira Vissepó. This exhibition is a union of both artists’ work situated in the spectacle of memory through excavated and recreated landscapes.

 

At the center of this showcase is a large-scale installation that features framing from Reyes using the raw materials of 2x4’s and plywood as a position to revisit their adolescence growing up on construction sites. Within the exploration of Mexican-American diaspora that has shaped their family mythologies in a blend of lore and phenomenon there is a motive that is steadfast to unearthing a personal narrative in totality. Inside the formalities of their build sites, Reyes leaves personal mementos like imprinted photos and drawings on the bones of the build creating a site incarnated as the homage to this unearthing.

Situated in the windows of this structure and beyond lies the work of Vissepó, mixed media pieces focused on the hybridization of flora native to her birthplace of Puerto Rico and Coastal Georgia. Utilizing stain painting, linocut printmaking, cyanotype, dye resists, and hand embroidery, Vissepó creates landscapes that evoke a blended vision of world building situated on transition and migration. Her conception of home is woven between the fragility of a natural world that melds both her adoption of the American South along with her motherland of Puerto Rico. The coral colors in her work conjuring the Caribbean grow their vibrancy in celebration and joy, a reminder of the power of cross-cultural connections forged within the layered discourse of Puerto Rican diaspora.

 

Earth Windows is on view at Cleo the Project Space June 19th - July 25th, 2026. 

 

Noah Reyes lives and works in Atlanta, GA. Reyes is an artist taking steps in many different directions, resulting in an awkward dance between curating, writing, and artmaking. They work for Sandler Hudson Gallery, serve as a board member for Lostintheletters, and co-founded Eso Tilin Projects. Sometimes they write for ArtsATL, ART PAPERS, Burnaway, and IMPACT Magazine.

 

Yanira Vissepó (b. 1992, Santurce, Puerto Rico) studied printmaking in 2019 at the Kyoto International Mokuhanga School, where soft gradients and refined forms became central to her practice. She has held residencies at Black Mountain College Museum, Coop Gallery, Nashville; the Mokuhanga Innovation Laboratory, Echizen, Japan; and the Nashville Public Library. Vissepó has also worked as a teaching artist at the Frist Art Museum, Nashville, and the Nashville Public Library. Her work is included in collections such as those of the Metro Arts Lending Library, Nashville; Soho House Nashville; and the Vanderbilt Museum of Art, Nashville. Vissepó’s solo exhibitions include shows at Ziehersmith, Nashville, TN; Lyndon House Arts Center, Athens, GA; Elephant Gallery, Nashville; and Sheet Cake Gallery, Memphis; and she has participated in group exhibitions at venues such as 21c Museum Hotel, Nashville, and the Vanderbilt Museum of Art and Frist Art Museum.

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Savannah Center for Photography: "Open House"
Jun
26
5:00 PM17:00

Savannah Center for Photography: "Open House"

Savannah finally has a home for Photography! Join us June 26 to celebrate the opening of the NEW Savannah Center for Photography. Be with us as we open the doors to the city's first dedicated non-profit community darkroom, gallery, and photography workshop space. 


Opening night will feature "SCP Presents," an exhibition of original works by local photographers, a raffle offering a range of photocentric items and experiences, and a tour of our newly anointed back-and-white darkroom. All proceeds benefit SCP. 


The Savannah Center for Photography is a 501(c)(3) nonprofit organization dedicated to enriching Savannah’s cultural landscape by advancing the craft of photography. Through a community darkroom, workshop space, and rotating gallery exhibitions, SCP provides accessible resources and education that support image-makers at all levels and foster appreciation for diverse photographic work throughout the community. More information is available at savphoto.org.

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Savannah Center for Photography: "SCP Presents"
Jun
26
to Sep 4

Savannah Center for Photography: "SCP Presents"

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Savannah Center for Photography’s inaugural exhibition "SCP Presents" opens during the Open House on Friday, June 26 at 5-9PM!

Artists have donated works that will be for sale to help fund our new nonprofit community darkroom, gallery and workshop space. Come see these and other works by our supporting artists: J. W. Toftness, Martin Bell, Anna Ottum, Anna Bliss, Marsalis Eason, Rebecca Nolan, Nathaniel Thompson, Jackie Black, and Salvador Martinez-Saucedo.

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Ology Gallery: "Fur, Feathers, Familiars"
Aug
8
to Sep 12

Ology Gallery: "Fur, Feathers, Familiars"

Fur, Feathers, Familiars is a spirited celebration of the animal kingdom, explored through both functional and sculptural ceramics. From creatures that roam, fly, and burrow to the beloved companions that share our lives, this exhibition highlights the enduring inspiration animals provide to ceramic artists. Whimsical, reverent, and imaginative, the works transform clay into vessels and forms that honor the character, spirit, and symbolism of our fellow beings. Juried by ceramic artist and goat aficionado Christy Culp, the exhibition brings together a diverse range of voices and approaches, inviting viewers to experience the warmth, humor, and wonder of animals rendered in clay.

Opening Reception: Saturday, August 8 5:30-8PM

Closing Reception: Saturday, September 12, 5:30-7:30PM

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Jepson Center: "Film Screening of 'A Taste of the Wild: The Legacy of Sandy West' and Panel Discussion"
Aug
20
6:00 PM18:00

Jepson Center: "Film Screening of 'A Taste of the Wild: The Legacy of Sandy West' and Panel Discussion"

Join us for a screening of Megan Mayhew Bergman’s short film “A Taste of the Wild: The Legacy of Sandy West” which tells the story of the conservation icon’s love affair with Ossabaw Island and her pioneering interdisciplinary vision for its conservation. The screening will be followed by a panel discussion between Mayhew Bergman and Beryl Gilothwest, grandson of Clifford and Eleanor “Sandy” West and co-curator of Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now, moderated by Erin Dunn, Telfair’s Curator of Modern and Contemporary Art.

This event is FREE for Members and $8 for Non-Members. Register here!

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Telfair Contemporaries: "Arty Party"
Sep
10
5:30 PM17:30

Telfair Contemporaries: "Arty Party"

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Join Telfair Contemporaries (TC) for a lively reception on the 3rd floor landing and sculpture terraces, creative art activities, and a curator-led tour by Erin Dunn of the freshly reinstalled In Reflection: Contemporary Art and Ourselves, featuring exciting new loans and never-before-seen collection objects!

TC members are encouraged to bring a friend! If your friend becomes a member of Telfair or TC, both you and your friend will receive a raffle submission for a docent-led tour of the exhibition of your choice for up to five people!

FREE for TC Members | Telfair Members: $10 | General admission: $20

Register here!

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Ology Gallery: "All Over the Place: Joan Clare Mazzeo"
Oct
3
to Oct 31

Ology Gallery: "All Over the Place: Joan Clare Mazzeo"

Joan Clare Mazzeo’s All Over the Place is a vibrant, playful solo exhibition that reflects an artist who refuses to stay in one lane. Featuring ceramics, mixed media, fabric, and more, the show brings together a lively collection of sculptures and forms that feel both ancient and fresh, familiar and otherworldly.

October 3 - October 31, 2026

Opening Reception: Saturday, October 3 5:30-8PM

Closing Reception & Artist Talk: Saturday, October 31 5:30-7:30PM

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Heather J. Stewart: "Beyond Dissonance"
May
15
to May 16

Heather J. Stewart: "Beyond Dissonance"

Join Heather J. Stewart for her SCAD BFA Photography Exhibition, “Beyond Dissonance” at Camaleón for an opening receprion on Friday, May 15th from 5 - 8PM. The show will be also be available to see the next day, May 16th, from 10AM - 4PM.

Opening Reception:

May 15th, 5 - 8PM

Gallery Hours:

May 16th, 10AM - 4PM

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Location Gallery: "Surface Bound: An Exhibition by oy Dunigan and Manda Faye Dunigan"
May
8
to Jun 5

Location Gallery: "Surface Bound: An Exhibition by oy Dunigan and Manda Faye Dunigan"

“Surface Bound” is a Group Exhibition featuring the work of sisters Joy Dunigan and Manda Faye Dunigan who are pairing their photographic and graphic design skills to show the phases of time, life and motion. The show will run from May 8th to June 5th. Profits are donated to Over the Moon Diaper Bank.

Opening Reception: May 8th, 6 - 8PM

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Ty Atwood and Aaron Heisler: "We Make Stuff"
May
1
to May 8

Ty Atwood and Aaron Heisler: "We Make Stuff"

Ty Atwood and Aaron Heisler present an exhibition of furniture, sculpture and paintings at the Starland Dairy, a historic yet evolving space in Savannah’s vibrant Starland District. Both Ty and Aaron are furniture design professors at the Savannah College of Art and Design. 

This exhibition poses a question to the maker’s….who are they?  Are they educators? Are they designers? Artists? Or are they just two humans who can’t stop making?

“We make stuff. Please come look at it” – Ty Atwood/Aaron Heisler

Exhibition Duration: May 1st - May 8th

Opening Reception: Friday May 1st, 6 - 8PM

Closing Reception: Friday May 8th, 6 - 8PM

Studio Hours: 6 - 8PM

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Camaleón: "Beyond EVERYTHING...: A Group Exhibition by Talia Sullivan and Mario Arsvita"
Apr
21
to Apr 25

Camaleón: "Beyond EVERYTHING...: A Group Exhibition by Talia Sullivan and Mario Arsvita"

Beyond EVERYTHING… is a Group Exhibition featuring the work of Talia Sullivan and Mario Arsvita.

Opening Reception: Thursday, April 23rd, 5 - 8PM

Talia Sullivan is an emerging artist, ( b. 2001, Devon UK) based in Savannah, GA. In her studio practice, Sullivan explores the relationship between humanity and the vastness of the landscape. Her art often features anonymous figures seamlessly integrated into expansive natural settings. Through her work, she seeks to evoke a sense of wonder and reverence for the world around us. Talia Sullivan has been exhibited in Savannah, Atlanta, Richmond and London. She is currently persuing an MFA in Painting and Printmaking at the Savannah College of Art and Design.

Mario Arsvita describes his work an investigation into the human condition through abstraction, this aesthetic is employed to explore the deep interconnectedness of all things with intentions of shifting our collective perception of humanity's place in the universe. 

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Wonderland Studios: "Thank You Five: Photography Exhibition by Lena Witte"
Apr
18
6:00 PM18:00

Wonderland Studios: "Thank You Five: Photography Exhibition by Lena Witte"

“Thank You Five”, a Solo Photography Exhibition by Lena Witte, is a year and half long documentary project investigating the culture and community of a public high school theater department. This body of work depicts the relationships formed from spending hours together working on a collaborative artistic endeavor. Relationships forged in fire. This department is always changing. Kids graduate, directors come in and out, and shows come to an end. Performance art is inherently fleeting and this time in their lives is fleeting. These photographs capture the electric energy of this particular group of students at this particular time.

Opening Reception: April 18th, 6 - 10PM

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Gallery 2424 : Isabella Covert : "i don’t know how, but it grew from me"
Apr
15
to Apr 19

Gallery 2424 : Isabella Covert : "i don’t know how, but it grew from me"

In the current era of evolving technological intersections with the body, the coupling of organism and machine is birthing reevaluations on the body’s potential. Drawing from feminist posthuman theory, the work in the exhibition challenges current notions of reproduction, gender, and family structures, suggesting alternative synthetic reimaginings of the body. In the thesis exhibition i don’t know how, but it grew from me, traditional biopolitical structures are dismantled and replaced with constantly exfoliating cyborgian skinscapes. Shifting perspective on gestational labor and the leaky excess of bodily production, this work questions the decisions surrounding biotech, who has the authority to determine how hunman developments are distributed, and how advancements can restructure liberation.

Opening reception: April 17, 6-9pm

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Location Gallery : Anna and Steve Bliss : "abundance"
Apr
10
to May 5

Location Gallery : Anna and Steve Bliss : "abundance"

“abundance” is a series of nature photography by husband-and-wife artists Anna and Steve Bliss that explores the correlation between nature photography and still life’s.

ONGOING: April 10th - May 5th.

Profits from show are donated to Migrant Equity Southeast.

Learn more at https://www.locationgallery.net/about

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Otis S. Johnson Cultural Arts Center : "Beyond Sight"
Apr
10
to Apr 22

Otis S. Johnson Cultural Arts Center : "Beyond Sight"

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Beyond Sight is a multisensory exhibition that reimagines how we engage with art by exploring the relationship between aesthetics, functionality, and accessibility. In its third iteration, the artists selected collaborated to create an immersive, tactile, and interactive environment that invites visitors to experience art through more than sight.

Featured Artists: Abby Edwards, DeAndre West, Joshua Gary, Lois Harvey, Lucas Benitez, Samantha Mack

This event is free and open to the public.

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Alexander Hall : JW Toftness : "Eidolon"
Apr
10
to Apr 27

Alexander Hall : JW Toftness : "Eidolon"

OPENING RECEPTION: April 10, 5 - 8PM

ON VIEW: April 10-27

Eidolon presents selections from JW Toftness’s ongoing project An Apology Made for the Matter of Material in Metaversal Times (AMMMMT). The thesis explores how hyperconnectivity has reshaped the boundary between physical and digital realities. Through photography, video, and papier-mâché sculpture, the work contrasts tactile, “low” materials with advanced digital processes.

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Alexander Hall: Alejandro Giraldo: "ADAPTIVE BODIES"
Mar
23
to Apr 3

Alexander Hall: Alejandro Giraldo: "ADAPTIVE BODIES"

In his M.F.A. thesis exhibition ADAPTIVE BODIES, Alejandro Giraldo presents paintings, prints, sculpture, and a new multimedia installation featuring imagined male-presenting characters whose emotions and contradictions recall the artist’s own experiences with professional life and acts of productivity. Performing familiar actions related to work, the figures become caricatured, contorted, and deformed by physical, psychological, and symbolic pressures, revealing the ways professional structures and expectations shape identity and physical posture. Here, the body functions simultaneously as a pictorial vehicle and an expressive mechanism, acting as a site where tensions, frustrations, and ironies accumulate and find resolution through the gesture of painting.

Across Giraldo’s oeuvre are references to himself, including his own hand, codifying each work as indirect self-portraits and exposing a dichotomy between his two identities — the corporate figure and the painter. By representing both, Giraldo creates a critical distance from which to observe and interrogate these roles, confronting his own contradictions while questioning the structures of success and productivity that shape his personal biography and artistic practice. Revealing the absurdity inherent in contemporary expectations of capacity, ADAPTIVE BODIES asks how we function as sites of constant negotiation — and at what cost.

Opening reception: Friday, March 27, 5–7 p.m.

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Cleo the Project Space: "Moored Along a Myth, the Machine, & my Mouth: Rachel Youn, Julia Kier Wilson, Colleen Billing"
Mar
13
to Apr 26

Cleo the Project Space: "Moored Along a Myth, the Machine, & my Mouth: Rachel Youn, Julia Kier Wilson, Colleen Billing"

  • Cleo the Project Space (map)
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Cleo the Project Space is pleased to present Moored Along a Myth, the Machine, & my Mouth, a three person show featuring the work of Rachel Youn, Julia Kier Wilson, and Colleen Billing. This exhibition is an exploration of identity through three distinct lenses utilizing science, technology, and mysticism to attribute the portraiture on display.

Ongoing: March 13th - April 25th, 2026.   

Rachel Youn (b. 1994, Abington, PA) has had solo exhibitions at Night Gallery, Los Angeles, CA; Sargent’s Daughters, New York, NY; G Gallery, Seoul, South Korea; and Soy Capitán, Berlin, Germany, among others. They received their BFA from the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, St. Louis, MO. Youn holds an MFA from Yale School of Art in New Haven. They live and work in Albuquerque, NM and are represented by Sargent’s Daughter (New York), Soy Capitán (Berlin), and G Gallery (Seoul). 

Julia Kier Wilson is an artist, who loves thinking about teeth, mythology, religion, and language. She received a Bachelor of Arts in classics with a concentration in Latin and Ancient Greek translation from the University of Virginia and a Master of Fine Arts in photography. She is currently living and working in the Adirondacks. 

Colleen Billing is an artist living and working in New York. She received her BFA from Virginia Commonwealth University and her MFA from Mason Gross School of the Arts, Rutgers University. She has participated in residencies at the Skowhegan School of Painting & Sculpture, LMCC Arts Center and Vermont Studio Center. She has exhibited work at ILY2, New York, NY, ROMANCE, Pittsburgh, PA, David Peter Francis, New York, NY, Greene Naftali, New York, NY, Miriam, Brooklyn, NY, Benny's Video, Brooklyn, NY, Bad Water, Knoxville, TN.

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SCAD Fibers: Open Studio
Feb
27
5:00 PM17:00

SCAD Fibers: Open Studio

Join SCAD Fibers on Friday, February 27 from 5 to 8 PM in Pepe Hall for a one-night immersive exhibition of textile art and design!

The event will include make-and-take demos like screen printing, indigo dyeing, machine knitting, weaving, embroidery, and tufting. Refreshments will be served.

This event is free and open to the public.

Graphic design by Katie Hagen (Fibers MFA 2023) @katiehagencreative
Artwork based on "Curtain Call" by Trish Andersen (Fibers BFA 2005) @trishandersenart

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Ology Gallery: Eastside 11: Artists of the Victory Heights / Avondale Art Crawl
Feb
14
to Mar 21

Ology Gallery: Eastside 11: Artists of the Victory Heights / Avondale Art Crawl

A group exhibition celebrating the variety of expressions that bloom when creative people share a block, a community, and a conversation.

Eleven neighbors — eleven voices. Eastside 11 gathers a lively, tightly knit constellation of artists who live and make work in the Victory Heights / Avondale neighborhood. Though each artist works in a distinct style and medium, the exhibition reveals a compelling dialogue that emerges from their shared surroundings. From bold contemporary expressions to nuanced, personal narratives, the works reflect the diversity, energy, and individuality of Victory Heights and Avondale.

EASTSIDE 11 ARTISTS:

Tony Artemisia - Betsy Cain - Maxx Feist - Mary Hartman - Isaac McCaslin - Christopher Moss - Will Penny - Rick Petrea - Dana Richardson - Matt Toole - Eric Wooddell

FEBUARY 14 - MARCH 21, 2026

ART CRAWL: SATURDAY, FEB 21, 11 AM - 5 PM

OPENING RECEPTION: SATURDAY, FEB 14, 5:30 - 8:00 PM

CLOSING RECEPTION: SATURDAY, MARCH 21, 5:30 - 7:30 PM

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Savannah Art Association: "ECHO" Curated Exhibition at Cobra Room Gallery
Feb
6
to Mar 2

Savannah Art Association: "ECHO" Curated Exhibition at Cobra Room Gallery

Savannah Art Association Presents ‘ECHO’ Curated Exhibition at Cobra Room Gallery Opening Reception: First Friday, Feb. 6, 5:00 p.m. – 8:00 p.m.

SAVANNAH, GA — The Savannah Art Association (SAA) is proud to present ECHO, a curated group exhibition featuring 11 regional artists, opening Friday, Feb. 6, 2026, at the Cobra Room Gallery. The exhibition opens with a public reception at 5:00 p.m. and will remain on view through March 2, 2026.

Curated by Dr. Jason Hoelscher, MFA, PhD—professor at Georgia Southern University and Gallery Director for all GSU campuses—ECHO explores themes of repetition, reflection, and resonance. The 11 featured artists interpret the concept of an "echo" through diverse contemporary approaches, including abstraction, memory, and personal narrative.

“ECHO speaks to the way artistic ideas repeat and transform over time,” said Elise Aleman, SAA gallery coordinator and board member. “We’re excited to bring this curated conversation to the Starland District and continue building a space for thoughtful artistic exchange.”

The Cobra Room Gallery is located at 2429 Lincoln Street, inside the Lone Wolf Lounge. The opening reception is free, all-ages, and open to the public via the gallery's side entrance on 41st Street.

EXHIBITION DETAILS:

  • What: ECHO Curated Group Exhibition

  • Where: Cobra Room Gallery, 2429 Lincoln St. (Enter via 41st St. side door)

  • Opening Reception: Friday, Feb. 6, 5:00 p.m. – 8:00 p.m.

  • Exhibition Dates: Feb. 6 – March 2, 2026

  • Cost: Free and all-ages accessible

Founded in 1910, the Savannah Art Association is the region’s oldest nonprofit visual arts organization, supporting artists through exhibitions, education, and community engagement.

For more information, visit savannahartassociation.org/cobraroom-gallery.

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Cleo the Project Space: "After Stone, After Ruins (Notation 1)"
Feb
5
to Mar 5

Cleo the Project Space: "After Stone, After Ruins (Notation 1)"

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February 5th - March 5th 2026

A Solo Show

Opening Reception: Thursday, February 5th 6-9 pm

Cleo the Project Space in collaboration with Atlanta Center for Photography and Swivel Gallery is pleased to present After Stone, After Ruins, the newest body of work from Le’Andra LeSeur: 

“In recent years, I have become increasingly interested in exploring the body’s response to sites of historical violence across the U.S.—both those that serve as catalysts for violent acts and those where such acts have occurred. What continues to move me is not only the depth of information that remains unavailable at these sites but also the limitations of the narratives that do exist, often restricting how these histories are acknowledged and honored.

With my work, I seek to uncover the traces left behind at these sites, guided by the understanding that absence is never truly empty.

At Dunbar Creek, where the Igbo people refused enslavement, choosing death in a collective act of defiance and freedom, the water leaves behind a haunting void that echoes in the quiet waters of Ebenezer Creek, where hundreds of recently freed Black people were abandoned to drown during Sherman’s March to the Sea. Binding these histories is a shared current of loss amidst the promise of freedom.

These waterways, bound by both geography and spirit, extend further to the historic Baptism trail in Riceboro, GA, where faith and survival have long been intertwined. Through these connections, I’ve come to believe that while water bears the weight of this violence, it also carries the capacity to heal, hold, and renew.

Throughout my practice, I have sought to reckon with histories that persist unseen within the land itself, questioning how emptiness is measured—not just physically, but spiritually. This inquiry opens space to consider how historical violence, silencing, and erasure shape our mental and physical presence, ultimately influencing our perception of space and our collective memory. In acknowledging these imprints, I am interested in how practices of repair can reframe these perceptions, generating possibilities for reconciliation and a sense of renewed understanding. 

This work will evolve throughout three iterations and reference artistic interventions to land such as Beverly Buchanan’s Marsh Ruins, Nancy Holt’s Stone Ruin Tour, and Stanley Brouwn’s How Empty is This Space?.”

 

Join us at Cleo for the first iteration of this showcase: After Stone, After Ruins (Notation 1) opening on February 5th 2026. This opening will mark the end of a three week pilgrimage and research trip around coastal Georgia visiting sites and gathering archival material and testimony to be displayed in the gallery tracing LeSeur’s route of investigation. Two additional exhibitions will follow, further reflecting this study through new print and sculptural works: at Atlanta Center for Photography from February 12–April 18, and at Swivel Gallery from May 6–June 6. 

Le’Andra LeSeur is a multidisciplinary artist whose practice spans video, installation, photography, painting, and performance. LeSeur’s practice is rooted in an ongoing pursuit of liberation—examining how repetition and ritual become pathways to reclaiming space, visibility, and agency. Grounded in personal experience yet resonating on a broader scale, her work honors Blackness, queerness, and femininity while critically examining the societal structures that seek to suppress and silence these identities. Through the presence of her body and voice, LeSeur crafts immersive experiences that disrupt perceptions and resist imposed narratives encouraging audiences to engage in deep reflection and recognition around themes of identity, collective memory, and the duality of grief and joy.

The artist has received several notable awards, including the Tulsa Artist Fellowship (2024), Leslie-Lohman Museum Artists Fellowship (2019), the Time-Based Medium Prize as well as the Juried Grand Prize at Artprize 10 (2018). LeSeur has appeared in conversation with Marilyn Minter at the Brooklyn Museum, presented by the Tory Burch Foundation, and has lectured at The New School, NY, NY, and the University of the Arts, Philadelphia, PA, among others. Her work has been shown in solo and group exhibitions at Pioneer Works, Brooklyn, NY; MFA Boston, Boston, MA; The Shed, New York, NY; Atlanta Contemporary, Atlanta, GA; A.I.R. Gallery, Brooklyn, NY, and others. Residencies include Pioneer Works, iLab at The University of the Arts, Visual Studies Workshop, ArcAthens, NARS Foundation, Marble House Project, and MASS MoCA. Her work is in the Whitney Museum of American Art collection.

 

@ellechien

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SCAD Museum of Art : Group exhibition : " 'In Character "
Feb
2
to Jun 7

SCAD Museum of Art : Group exhibition : " 'In Character "

In Character explores how contemporary artists draw from the visual aesthetics of animation, illustration, and sequential art to unpack notions of identity, imagine alternate realities, and depict Black life and community. Across the featured paintings, drawings, sculptures, and textile works, the distinctive language of cartoons and comics emerges through flat, outlined forms, shallow picture planes, and exaggerated bodily features.

Works like Trenton Doyle Hancock’s grand superhero narratives and caricatured self-portraits mythologize personal experience and complicate understandings of power, while Gary Simmons’ painted reinterpretations of early Looney Tunes characters interrogate the origins of racialized stereotypes in cartoons. By leveraging the familiarity of animation, the exhibiting artists demonstrate how popular media have historically flattened Black representation, while simultaneously revealing its potential for experimentation and expansion. In Character underscores the power of these aesthetic traditions as both a form of expression and a method for idealization and self-reinvention.

Featured artists
Trenton Doyle Hancock 
Victoria Dugger 
Mark Thomas Gibson 
Arthur Jafa 
Gary Simmons 
Kara Walker 
Qualeasha Wood 

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SCAD Museum of Art : Max Lamb : "ELEMENTS"
Feb
2
to Jun 7

SCAD Museum of Art : Max Lamb : "ELEMENTS"

Showcasing numerous objects in a range of materials, including metal, stone, wood, polystyrene, and textile, Elements highlights Max Lamb’s versatility as a designer and the thoroughness of his exploration across mediums. Lamb’s boundless creative practice has become one of the most well-regarded of his generation, noted for his ceaseless inventiveness. The forthrightness of his work — and the efficiency of the methods through which he creates it — at times belies his extremely nuanced problem-solving and the meaningful ways he confronts some of the most complex challenges of our era. While the exhibition organizes these works by material to highlight the range and depth of his work, the slippages between each category demonstrate the overarching ethos of an artist who is guided by an unparalleled inquisitiveness that unifies his approach.

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SCAD Museum of Art : Anish Kapoor : " 'Earth Sky on Red Ground "
Feb
2
to Jun 7

SCAD Museum of Art : Anish Kapoor : " 'Earth Sky on Red Ground "

Featuring 15 canvases ranging from 2012 to 2022, Earth Sky on Red Ground is the first museum exhibition in the U.S. devoted entirely to the painting practice of Anish Kapoor, an eminent artist recognized for his peerless international renown. His iconic sculptures in a diverse spectrum of materials often confound the viewer’s perception. Yet Kapoor’s paintings simultaneously emphasize the viscerality of our physical existence and the metaphysical inner worlds we share. The artist has intrepidly accomplished this feat with his expressive technique, characterized by sensuous brushwork and an immersive scale that envelops the viewer in the works’ powerful traction. Kapoor’s canvases feature abstract forms with a forceful gestural boldness that is deftly achieved in thickly impastoed oil paint. The works’ timeless titles convey an almost ritualistic dialogue with the long arc of the medium and our collective history. The immediacy of Kapoor’s approach to painting animates this integral part of his practice, demonstrating its centrality to the truly incomparable creative outpouring of a contemporary master.

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SCAD Museum of Art : Farah Al Qasimi : " Psychic Repair "
Feb
2
to Jun 7

SCAD Museum of Art : Farah Al Qasimi : " Psychic Repair "

In Psychic Repair, photographer and musician Farah Al Qasimi activates the SCAD Museum of Art’s façade vitrines and an interior gallery through the play of scale and dimensionality. Informed by her girlhood in the UAE and experiences of womanhood in the U.S., Al Qasimi produces highly saturated images that explore rituals of self-presentation and their ties to identity, memory, and belief formation. Across photographic installations and music videos, she layers these images in a style reminiscent of early internet pop-up ads and department store displays, shifting fluidly between analog and digital modes. Patterns, textures, and shadows become conduits for fantasy and phantasm in her documentary photographs, while her music videos transform jump-rope rhymes, spoken poetry, and punk rock songs into prophetic mantras. Throughout the exhibition, the supernatural operates as a metaphor for the unseen, transient forces of contemporary beauty and fashion culture that shape how we see, feel, and behave.

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SCAD Museum of Art : Laurie Anderson : "All in Your Head"
Feb
2
to Jun 7

SCAD Museum of Art : Laurie Anderson : "All in Your Head"

SCAD deFINE ART 2026 honoree Laurie Anderson presents All in Your Head, an exhibition that brings together three installations featuring the written word, striking projected images, and the visualization of alternate realities. An internationally lauded avant-garde artist, Anderson has created innovative, transdisciplinary work in a career that spans five decades. She continues to expand the lexicon of performance art and bridge the divides between experimental expression and popular culture. Both arresting and ephemeral, Anderson’s work tackles sprawling contemporary themes like the state of cultural life in the U.S. or anchors itself in age-old narratives like Noah’s Ark. Through her myriad approaches — from filmmaking and live performance to painting, sculpture, digital media, and more — she underscores storytelling, both personal and collective, as a central driving force in her artistic practice. In this exhibition, Anderson traverses time and space, whether by virtually visiting the moon in an immersive VR work or traveling into the recesses of her childhood in a multimedia narrative, questioning what is remembered, what is spoken, and what is possible.

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SCAD Museum of Art : Group exhibition : "Personified"
Feb
2
to May 17

SCAD Museum of Art : Group exhibition : "Personified"

Personified presents selections from the SCAD Museum of Art Permanent Collection that focus on the human form as a vessel with which to examine common culturally constructed ideas related to identity. The works on view demonstrate the myriad ways artists hybridize, morph, caricaturize, or embellish their figures, imbuing them with characteristics typically unrelated to the body but which ultimately emphasize their humanity.

Exhibiting modes of personification from animals to common objects, the shifting body manifests first through metamorphosis — a theme anchored in historic literary and religious sources — which sees the subject in the process of transformation, typically as a metaphor for broader themes like love, alienation, hidden fears, or growth. These works include Wangechi Mutu’s Homeward Bound (2010), which depicts a figure transmuting into a hybrid animal–machine, an expression of the raw strength of women. Other works explore the notion of the composite, in which the subject is presented as an amalgamation of an array of cultural signifiers as a reflection of the social conditions of the artist’s time, as seen in the images of luxury items that make up Rashaad Newsome’s photographic collaged portrait GAG (2015). Lastly, the adorned body is celebrated in works like Nick Cave’s Drive-By, a freewheeling film in which the artist’s iconic Soundsuits jump, roll, and dance in fluid, pulsating motion. The artist’s extravagant costumes obscure all identifying features of the wearer as well as the resulting inferences the viewer could make based on appearance, offering transcendent, joyful embodiments of empowerment.

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SCAD Museum of Art : Mona Bozorgi : "Strain and Strand"
Feb
2
to May 17

SCAD Museum of Art : Mona Bozorgi : "Strain and Strand"

Mona Bozorgi (SCAD M.F.A., photography, 2018) uses experimental photographic processes to examine the intersections of representation, objecthood, and gender. Bridging photography, sculpture, and fiber arts, her latest body of work expands on her ongoing series Threads of Freedom, which explores the role of imagery in Iranian women’s self-representation and performance of gender amid broader sociopolitical movements in the country. Printing photographs on silk then unraveling and reassembling them, Bozorgi overlays “selfie” images originally shared on social media of women participating in protests against government mandates enforcing the hijab, or headscarf. The resulting collages, composed of the individual silk strands and mounted within wooden frames reminiscent of daguerreotype cases, mirror the deluge of online imagery presented on cellphones’ boxed screens, meditate on female bodily autonomy and containment, and highlight the intimacy, vulnerability, and impact of public-facing images of oneself. Echoing silk’s unmatched tensile strength, Strain and Strand celebrates the resilience of women who stand strong individually and find great power together.

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SCAD Museum of Art : Eva Jospin : " INTO THE WOODS "
Feb
2
to Jun 7

SCAD Museum of Art : Eva Jospin : " INTO THE WOODS "

In her debut U.S. museum exhibition, Eva Jospin demonstrates her creative magnitude and the unique nuance of her singular practice. The range of Jospin’s expression fascinates viewers with otherworldly appeal, from the sculpted forests and architectural follies she meticulously carves in cardboard to her richly embroidered landscape tapestries and her most intricate and delicate renderings. The artist’s power is as equally evident in her intimately detailed works as it is in her monumental immersive installations that envelop audiences in their timeless presence and inspire a deep sense of wonder. Whether drawing from Renaissance forebearers or the fantastical worlds of fairy tales, Jospin’s artworks collectively embrace the captivating mysteries of nature and ruins alike with intensive particularity and craftsmanship, encouraging us to contemplate contemporary materials and our place in history too. Together, we experience the whimsy and enchantment of these eternal conversations, with complete certainty of our central role in it all.

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Visit: 2301 Bull Street, Savannah, GA 31401 Hours: TH - SUN, 12 - 5PM