In his debut solo museum exhibition, Awol Erizku focuses on pioneering American Muslim human rights activist El Hajj Malik El-Shabazz (Malcolm X) as a subject of personal inspiration and complex cultural significance. Erizku views the historic figure as a metaphorical prism of faith, masculinity, transformation, and a vessel for truth. This ambitious exhibition is composed of new and recent works by Erizku, including iconic photographs, sculptures, works on paper, a powerful film, and an installation of a rare historic manuscript. Together, they collectively convey the artist’s multidisciplinary practice and dynamic approach to a diverse range of media. Presented in the SCAD Museum of Art’s Walter and Linda Evans Center for African American Studies, the exhibition critiques the Eurocentric canon of art and history, with Malcolm X serving as a key figure connecting the U.S. and Africa. Erizku posits his singular aesthetic as a means to link ancient mythology, diasporic tradition, and contemporary culture as an antidote to closed-mindedness — striving toward Malcolm X’s late-life universalism and dedication to the “overwhelming spirit of true brotherhood.”